{"id":432,"date":"2012-08-24T23:13:00","date_gmt":"2012-08-24T23:13:00","guid":{"rendered":"http:\/\/www.californiastudioglass.org\/?p=432"},"modified":"2012-10-04T15:37:41","modified_gmt":"2012-10-04T22:37:41","slug":"janice-peacock-artist-bio","status":"publish","type":"post","link":"http:\/\/www.californiastudioglass.org\/?p=432","title":{"rendered":"Janice Peacock Artist Bio"},"content":{"rendered":"

Janice Peacock started working glass in 1992 at the Fenton Glass Studio with Brian Kirkvliet and has been working in glass in California for 20 years.
\n<\/strong>www.janicepeacock.com<\/span><\/a>\u00a0<\/a><\/strong><\/p>\n

Janice Peacock started flameworking in 1992.\u00a0 She creates small sculptures and beads using Italian soda-lime glass that\u00a0incorporate glass powders and metal foils, giving each piece an ancient look.<\/p>\n

In 2011 Janice was selected as an Artist in Residence at the Museum of Glass in Tacoma, WA.\u00a0 During her project, called\u00a0 \u201cA Matter Scale,\u201d she worked with glass blowers in the museum\u2019s studio to experiment with scale \u2013 both large and small.\u00a0 In 2012 the magazine \u201cThe Glass Bead,\u201d published by the International Society of Glass Beadmakers (ISGB), featured an extensive article on the process in which \u201cA Matter of Scale\u201d was developed and executed.<\/p>\n

Janice’s work has been displayed in several group exhibitions nationally and internationally. Additionally, her work as been featured in many books and magazines, including the recent Glass Line magazine edition which selected her as one of the top 40 international glass bead makers.<\/p>\n

In 2010 the national magazine \u201cBead and Button\u201d featured Ms. Peacock in an artist profile called \u201cFacing the Muse.\u201d This article recounts Janice\u2019s journey after leaving the world of glass, only to return a better, more energized artist.<\/p>\n

Janice travels nationally to teach intermediate and advanced glass bead making and flameworking. She has been a featured speaker at the California Glass Exchange, ISGB national conferences in 2002 and 2009, and for many other glass organizations, as well as several bead societies.<\/p>\n

Janice has been a resident of San Francisco Bay area since 1987.\u00a0 She grew up in Southern California and received two Bachelor of Arts degrees and one Master of Arts degree from U.C. Santa Barbara. She lives with her husband Jeff, her daughter Kiera, three cats and a few chickens.<\/p>\n

\"\"<\/a>

“Antelope”
Janice Peacock
2011
Furnace Blown Glass, Glass Reduction Powders
24 \u201c x 13\u201d x 7\u201d<\/p><\/div>\n

\"\"<\/a>

“Burmese Buddha”
Janice Peacock
2011
Flameworked soda lime glass, glass powders, enamels
2.5\u201d x 1.5\u201d x 1\u201d<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Janice Peacock started working glass in 1992 at the Fenton Glass Studio with Brian Kirkvliet and has been working in glass in California for 20 years. www.janicepeacock.com\u00a0 Janice Peacock started flameworking in 1992.\u00a0 She creates small sculptures and beads using … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,5,15,14],"tags":[],"class_list":["post-432","post","type-post","status-publish","format-standard","hentry","category-1990s-aritsts","category-artist-bio","category-california-artists","category-conference-presenters"],"_links":{"self":[{"href":"http:\/\/www.californiastudioglass.org\/index.php?rest_route=\/wp\/v2\/posts\/432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.californiastudioglass.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.californiastudioglass.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.californiastudioglass.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.californiastudioglass.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=432"}],"version-history":[{"count":10,"href":"http:\/\/www.californiastudioglass.org\/index.php?rest_route=\/wp\/v2\/posts\/432\/revisions"}],"predecessor-version":[{"id":965,"href":"http:\/\/www.californiastudioglass.org\/index.php?rest_route=\/wp\/v2\/posts\/432\/revisions\/965"}],"wp:attachment":[{"href":"http:\/\/www.californiastudioglass.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=432"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.californiastudioglass.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=432"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.californiastudioglass.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}